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Creation of Minimal Plasma Cell Systems by Self-Organization
in Earth’s Dark Biosphere leading to the Evolution of Dark
Plasma Life Forms Jay Alfred
Abstract
This paper proposes that the visible Earth is sitting inside
a low density halo of dark plasma, within which minimal dark
plasma cell-systems were generated in the early Earth. It
predicts the existence of terrestrial dark plasma life forms
which evolved from these cell systems, giving rise to a dark
biosphere. The genericmorphology of these plasma life forms
is explored and a prediction is made that they would exhibit
signature features commonly associated with well-structured
plasma bodies observed in the laboratory.
Full Article
Human Intelligence: The forced integration of two diverse
worlds
Junius J. Thomas
Abstract
Life scientists are now taking a closer look at
“genomic information accounting” and “information
requirements” for the various complex life processes beyond
those of the DNA/protein/RNA arena. The quantity of
algorithmic information (memory) required for Man’s unique
fluency well exceeds the 1.5% genomic change gained by Man
in his transformation from Chimpanzee. Thus the Ape had to
have acquired such fluency genome by lateral DNA transfer
from some other entity long before pressured into use in the
overnight 6 Myr Chimp-to-Man transition. Presumably fluency
evolved in that entity for 250 Myrs in the vertebrate body’s
blind, sound-dependent microbiological world.
Full Article
Could a naturalist interpretation and the Palaeo-camera
hypothesis explain the relative unity in figurative Upper
Palaeolithic art in Western Europe?
Eric Faure
Abstract
Late Eurasian Palaeolithic art spans almost
35,000 years, and although it was made by a succession of
cultures, a relative unity suggests common features during
this period. Two hypotheses that could explain this unity
are developed: a naturalist approach and Gatton’s Palaeo-camera
theory (holes in hide shelters as pinhole cameras). As
Palaeolithic artists were hunters, natural history could be
one of the essential keys to understanding this art in its
appropriate context. It was not until the Renaissance, when
the camera obscura was used as a drawing aid, that realistic
two-dimensional representations were regained.Full Article
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